EC Certificate of Conformity
"I Surrender" Pro Tools source - 44kHz (627MB)
"I Surrender" Pro Tools source - 88kHz (1.2GB)
"Real Life Fairy Tale" Pro Tools source - 44kHz (612MB)
"Real Life Fairy Tale" Pro Tools source - 88kHz (1.2GB)
The NT2-A carries on the tradition forged by the now legendary RØDE NT2. A professional large 1" capsule studio microphone incorporating three-position pick-up patterns, pad and high pass filter switches conveniently located on the mic body.
The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50s and 60s. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.
Supplied with the SM6 shock mount, dust cover, microphone cable and DVD hosted by Grammy-nominated engineer and producer John Merchant showing a range of recording techniques specific to the NT2-A.
The RØDE NT2-A microphone is designed and made in Australia, and covered by RØDE's industry leading 10 year warranty.
Whether you're looking for your first pro-studio mic, or are searching for the best model to fill out a microphone locker, the NT2-A bears strong consideration as it excels in almost any application. A winner? Oh, yes.
The NT2-A is an all-round winner that's versatile enough to take on the innumerable miking tasks that the world presents
Unlike many mics in its class, this unit is obviously NOT made in China! Its construction is superior, the mic is dead quiet, and the sound reproduction is super accurate. I don't think any company can beat RØDE for quality and performance versus price(Customer Review)
It offers remarkable performance and capacitor-microphone sonic virtues at a very affordable price, and as such it redefines the term 'value for money'.
I just purchased an NT2-A and I wanted to comment that I can hardly believe the microphone that I got for the money. Up until now I was recording with rented tlm103's and decided to get a LDC of my own. After a couple of session I am convinced that got a mic of equal calibre for a fraction of the cost PLUS the versatility of multiple pickup patterns. Thanks for making world class recording condenser microphones accessible to the average musician(Customer Review)
|Acoustic Principle||Pressure Gradient|
|Active Electronics||JFET impedance converter with bipolar output buffer|
|Frequency Range||20Hz - 20kHz|
|Maximum SPL||147dB SPL (@ 1kHz, 1% THD into 1KΩ load)|
|Maximum Output Level||16.0dBu (@ 1kHz, 1% THD into 1KΩ load)|
|Sensitivity||-36.0dB re 1 Volt/Pascal (16.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz|
|Equivalent Noise Level (A-weighted)||7dB-A|
|Warranty||1 year with free extension to 10 years following registration here|
There are more FAQs and product help in the Support section.